Essays of Schopenhauer (2 of 72)

---

SHARING
We encourage sharing--forward to a friend!

---

Previous | Next

ON AUTHORSHIP AND STYLE. (CONT'D)

It is only the writer who takes the material on which he writes direct out of his own head that is worth reading. Book manufacturers, compilers, and the ordinary history writers, and others like them, take their material straight out of books; it passes into their fingers without its having paid transit duty or undergone inspection when it was in their heads, to say nothing of elaboration. (How learned many a man would be if he knew everything that was in his own books!) Hence their talk is often of such a vague nature that one racks one's brains in vain to understand of _what_ they are really thinking. They are not thinking at all. The book from which they copy is sometimes composed in the same way: so that writing of this kind is like a plaster cast of a cast of a cast, and so on, until finally all that is left is a scarcely recognisable outline of the face of Antinous.
Therefore, compilations should be read as seldom as possible: it is difficult to avoid them entirely, since compendia, which contain in a small space knowledge that has been collected in the course of several centuries, are included in compilations.

No greater mistake can be made than to imagine that what has been written latest is always the more correct; that what is written later on is an improvement on what was written previously; and that every change means progress. Men who think and have correct judgment, and people who treat their subject earnestly, are all exceptions only. Vermin is the rule everywhere in the world: it is always at hand and busily engaged in trying to improve in its own way upon the mature deliberations of the thinkers. So that if a man wishes to improve himself in any subject he must guard against immediately seizing the newest books written upon it, in the assumption that science is always advancing and that the older books have been made use of in the compiling of the new.
They have, it is true, been used; but how? The writer often does not thoroughly understand the old books; he will, at the same time, not use their exact words, so that the result is he spoils and bungles what has been said in a much better and clearer way by the old writers; since they wrote from their own lively knowledge of the subject. He often leaves out the best things they have written, their most striking elucidations of the matter, their happiest remarks, because he does not recognise their value or feel how pregnant they are. It is only what is stupid and shallow that appeals to him. An old and excellent book is frequently shelved for new and bad ones; which, written for the sake of money, wear a pretentious air and are much eulogised by the authors' friends.
In science, a man who wishes to distinguish himself brings something new to market; this frequently consists in his denouncing some principle that has been previously held as correct, so that he may establish a wrong one of his own. Sometimes his attempt is successful for a short time, when a return is made to the old and correct doctrine. These innovators are serious about nothing else in the world than their own priceless person, and it is this that they wish to make its mark. They bring this quickly about by beginning a paradox; the sterility of their own heads suggests their taking the path of negation; and truths that have long been recognised are now denied--for instance, the vital power, the sympathetic nervous system, _generatio equivoca_, Bichat's distinction between the working of the passions and the working of intelligence, or they return to crass atomism, etc., etc. Hence _the course of science is often retrogressive_.

To this class of writers belong also those translators who, besides translating their author, at the same time correct and alter him, a thing that always seems to me impertinent. Write books yourself which are worth translating and leave the books of other people as they are. One should read, if it is possible, the real authors, the founders and discoverers of things, or at any rate the recognised great masters in every branch of learning, and buy second-hand _books_ rather than read their _contents_ in new ones.

It is true that _inventis aliquid addere facile est_, therefore a man, after having studied the principles of his subject, will have to make himself acquainted with the more recent information written upon it. In general, the following rule holds good here as elsewhere, namely: what is new is seldom good; because a good thing is only new for a short time.

What the address is to a letter the _title_ should be to a book--that is, its immediate aim should be to bring the book to that part of the public that will be interested in its contents. Therefore, the title should be effective, and since it is essentially short, it should be concise, laconic, pregnant, and if possible express the contents in a word. Therefore a title that is prolix, or means nothing at all, or that is indirect or ambiguous, is bad; so is one that is false and misleading: this last may prepare for the book the same fate as that which awaits a wrongly addressed letter. The worst titles are those that are stolen, such titles that is to say that other books already bear; for in the first place they are a plagiarism, and in the second a most convincing proof of an absolute want of originality. A man who has not enough originality to think out a new title for his book will be much less capable of giving it new contents.
Akin to these are those titles which have been imitated, in other words, half stolen; for instance, a long time after I had written "On Will in Nature," Oersted wrote "On Mind in Nature."

Previous | Next