The Faerie Queene, Book I (2 of 77)

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INTRODUCTION (CONT'D)

II. THE AUTHOR OF THE FAERIE QUEENE

Edmund Spenser was born in London near the Tower in the year 1552. His parents were poor, though they were probably connected with the Lancashire branch of the old family of Le Despensers, "an house of ancient fame," from which the Northampton Spencers were also descended. The poet's familiarity with the rural life and dialect of the north country supports the theory that as a boy he spent some time in Lancashire. Beyond two or three facts, nothing is known with certainty of his early years. He himself tells us that his mother's name was Elizabeth, and that London was his "most kindly nurse." His name is mentioned as one of six poor pupils of the Merchant Taylors' School, who received assistance from a generous country squire.

At the age of seventeen, Master Edmund became a student in Pembroke Hall, one of the colleges of the great University of Cambridge. His position was that of a sizar, or paid scholar, who was exempt from the payment of tuition fees and earned his way by serving in the dining hall or performing other menial duties. His poverty, however, did not prevent him from forming many helpful friendships with his fellow-students. Among his most valued friends he numbered Launcelot Andrews, afterward Bishop of Winchester, Edward Kirke, a young man of Spenser's own age, who soon after edited his friend's first important poem, the Shepheards Calender, with elaborate notes, and most important of all, the famous classical scholar, a fellow of Pembroke, Gabriel Harvey, who was a few years older than Spenser, and was later immortalized as the Hobbinoll of the Faerie Queene.
It was by Harvey that the poet was introduced to Sir Philip Sidney, the most accomplished gentleman in England, and a favorite of Queen Elizabeth.

Spenser's residence in Cambridge extended over seven years, during which he received the usual degrees of bachelor and master of arts. He became one of the most learned of English poets, and we may infer that while at this seat of learning he laid the foundations for his wide scholarship in the diligent study of the Greek and Latin classics, the philosophy of Plato and Aristotle, the pastoral poetry of Theocritus and Vergil, and the great mediaeval epics of Italian literature. On account of some misunderstanding with the master and tutors of his college, Spenser failed to receive the appointment to a fellowship, and left the University in 1576, at the age of twenty-four. His failure to attain the highest scholastic recognition was due, it is supposed, to his being involved in some of the dangerous controversies which were ripe in Cambridge at that time "with daily spawning of new opinions and heresies in divinity, in philosophy, in humanity, and in manners."

On leaving the University, Spenser resided for about a year with relatives in Lancashire, where he found employment. During this time he had an unrequited love affair with an unknown beauty whom he celebrated in the Shepheards Calender under the name of Rosalind, "the widow's daughter of the glen." A rival, Menalchas, was more successful in finding favor with his fair neighbor. Although he had before this turned his attention to poetry by translating the sonnets of Petrarch and Du Bellay (published in 1569), it was while here in the North country that he first showed his high poetic gifts in original composition.

After a visit to Sir Philip Sidney at Penshurst, Spenser went down to London with his friend in 1578, and was presented to Sidney's great uncle, the Earl of Leicester. He thus at once had an opportunity for advancement through the influence of powerful patrons, a necessity with poor young authors in that age. An immediate result of his acquaintance with Sidney, with whom he was now on relations of intimate friendship, was an introduction into the best society of the metropolis. This period of association with many of the most distinguished and cultivated men in England, together with the succession of brilliant pageants, masks, and processions, which he witnessed at court and at Lord Leicester's mansion, must have done much to refine his tastes and broaden his outlook on the world.

In personal appearance Spenser was a fine type of a sixteenth century gentleman. The grace and dignity of his bearing was enhanced by a face of tender and thoughtful expression in which warmth of feeling was subdued by the informing spirit of refinement, truthfulness, simplicity, and nobility. He possessed a fine dome-like forehead, curling hair, brown eyes, full sensuous lips, and a nose that was straight and strongly moulded. His long spare face was adorned with a full mustache and a closely cropped Van Dyke beard.

The Shepheards Calender was published in the winter of 1579 with a grateful and complimentary dedication to Sidney. It is an academic exercise consisting of a series of twelve pastoral poems in imitation of the eclogues of Vergil and Theocritus. The poem is cast in the form of dialogues between shepherds, who converse on such subjects as love, religion, and old age. In three eclogues the poet attacks with Puritan zeal the pomp and sloth of the worldly clergy, and one is devoted to the courtly praise of the queen. It was at once recognized as the most notable poem that had appeared since the death of Chaucer, and placed Spenser immediately at the head of living English poets.

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