The Luck of Roaring Camp and Other Tales (2 of 153)

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GENERAL INTRODUCTION (CONT'D)

Believing only that he was the victim of some extraordinary typographical blunder, the author at once sat down and read the proof. In its new dress, with the metamorphosis of type,--that metamorphosis which every writer so well knows changes his relations to it and makes it no longer seem a part of himself,--he was able to read it with something of the freshness of an untold tale. As he read on he found himself affected, even as he had been affected in the conception and writing of it--a feeling so incompatible with the charges against it, that he could only lay it down and declare emphatically, albeit hopelessly, that he could really see nothing objectionable in it. Other opinions were sought and given. To the author's surprise, he found himself in the minority. Finally, the story was submitted to three gentlemen of culture and experience, friends of publisher and author,--who were unable, however, to come to any clear decision.
It was, however, suggested to the author that, assuming the natural hypothesis that his editorial reasoning might be warped by his literary predilections in a consideration of one of his own productions, a personal sacrifice would at this juncture be in the last degree heroic. This last suggestion had the effect of ending all further discussion, for he at once informed the publisher that the question of the propriety of the story was no longer at issue: the only question was of his capacity to exercise the proper editorial judgment; and that unless he was permitted to test that capacity by the publication of the story, and abide squarely by the result, he must resign his editorial position.
The publisher, possibly struck with the author's confidence, possibly from kindliness of disposition to a younger man, yielded, and "The Luck of Roaring Camp" was published in the current number of the magazine for which it was written, as it was written, without emendation, omission, alteration, or apology. A not inconsiderable part of the grotesqueness of the situation was the feeling, which the author retained throughout the whole affair, of the perfect sincerity, good faith, and seriousness of his friend's--the printer's--objection, and for many days thereafter he was haunted by a consideration of the sufferings of this conscientious man, obliged to assist materially in disseminating the dangerous and subversive doctrines contained in this baleful fiction.
What solemn protests must have been laid with the ink on the rollers and impressed upon those wicked sheets! what pious warnings must have been secretly folded and stitched in that number of "The Overland Monthly"! Across the chasm of years and distance the author stretches forth the hand of sympathy and forgiveness, not forgetting the gentle proof-reader, that chaste and unknown nymph, whose mantling cheeks and downcast eyes gave the first indications of warning.

But the troubles of the "Luck" were far from ended. It had secured an entrance into the world, but, like its own hero, it was born with an evil reputation, and to a community that had yet to learn to love it. The secular press, with one or two exceptions, received it coolly, and referred to its "singularity;" the religious press frantically excommunicated it, and anathematized it as the offspring of evil; the high promise of "The Overland Monthly" was said to have been ruined by its birth; Christians were cautioned against pollution by its contact; practical business men were gravely urged to condemn and frown upon this picture of Californian society that was not conducive to Eastern immigration; its hapless author was held up to obloquy as a man who had abused a sacred trust. If its life and reputation had depended on its reception in California, this edition and explanation would alike have been needless.
But, fortunately, the young "Overland Monthly" had in its first number secured a hearing and position throughout the American Union, and the author waited the larger verdict. The publisher, albeit his worst fears were confirmed, was not a man to weakly regret a position he had once taken, and waited also. The return mail from the East brought a letter addressed to the "Editor of the 'Overland Monthly,'" enclosing a letter from Fields, Osgood & Co., the publishers of "The Atlantic Monthly," addressed to the--to them-- unknown "Author of 'The Luck of Roaring Camp.'" This the author opened, and found to be a request, upon the most flattering terms, for a story for the "Atlantic" similar to the "Luck.
" The same mail brought newspapers and reviews welcoming the little foundling of Californian literature with an enthusiasm that half frightened its author; but with the placing of that letter in the hands of the publisher, who chanced to be standing by his side, and who during those dark days had, without the author's faith, sustained the author's position, he felt that his compensation was full and complete.

Thus encouraged, "The Luck of Roaring Camp" was followed by "The Outcasts of Poker Flat," "Miggles," "Tennessee's Partner," and those various other characters who had impressed the author when, a mere truant schoolboy, he had lived among them. It is hardly necessary to say to any observer of human nature that at this time he was advised by kind and well-meaning friends to content himself with the success of the "Luck," and not tempt criticism again; or that from that moment ever after he was in receipt of that equally sincere contemporaneous criticism which assured him gravely that each successive story was a falling off from the last.
Howbeit, by reinvigorated confidence in himself and some conscientious industry, he managed to get together in a year six or eight of these sketches, which, in a volume called "The Luck of Roaring Camp and Other Sketches," gave him that encouragement in America and England that has since seemed to justify him in swelling these records of a picturesque passing civilization into the compass of the present edition.

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